Additional information
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$500.00
**Water and Dreams** is an exploration by G. Bachelard into the wellsprings of imagination. He reflects, “It is beside water that I have come to fully grasp that daydreaming is a universe in emanation—a fragrant breath that rises from the essence of things, filtered through the consciousness of a dreamer.”
In this work, Bachelard reveals how the fluidity of water serves as a catalyst for the vivid images our minds desire to manipulate and reshape, engaging with the substance’s inherent plasticity. This photo diptych uses masks to embody our spirit—one carved from wood, the other forged from metal—each interacting with water’s nature in distinct ways.
The depth of the images is intricately linked to the extent to which our imagination immerses itself in water, highlighting the contrast between the ephemeral beauty of surface water and the profound mysteries lying beneath its depths.
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Format A3 (30x42cm)
if the artwork is square, it will be 30cm large
Format A2 (42x59cm)
if the artwork is square, it will be 42cm large
Others formats : bigger formats up to 1 meter are available. Please send us a request
You can see this artwork in the whole context of its series. You also can order the following photos which are at a similar price
Landscape genre: “Landscape painting, the depiction of natural scenery in art. Landscape paintings may capture mountains, valleys, bodies of water, fields, forests, and coasts and may or may not include man-made structures as well as people. Although paintings from the earliest ancient and Classical periods included natural scenic elements, landscape as an independent genre did not emerge in the Western tradition until the Renaissance in the 16th century. In the Eastern tradition, the genre can be traced back to 4th-century-CE China.” – Britannica. com
For photography, it has been adopted since the beginning of its invention. It is now almost a cliché (postcards with sunset) and the best seller genre ( the most expensive photography is about landscape – Gustave Le Gray 19th century / Andreas Gursky 20th century
So Nature is replaced by photogenic landscapes, Nature is seen through a ‘Machine’
The definition of ‘Nature’ for humans is a constructed and organized process, not born by itself. It is more a representation than an objective view. In the series ‘Internal Feng Shui’, a fictional nature inspired by feng shui concepts has been staged inside rooms.
But using “natural” materials and objects, the series shows that with the right ethics, the ‘Machine’ is not incompatible with Nature, rather it can magnify Nature as a creative tool.