For the Indochina period, historian François Drémeaux reveals an intriguing fact: Hong Kong served as the first harbor of French Indochina. This choice was influenced by several factors, with one of the primary attractions being the city’s favorable taxes and free port system.
The Vietnamese Administration of the Nguyen Dynasty also recognized this advantage. In 1865, they dispatched Dr. Dang Huy Tru on a Chinese mission to explore Hong Kong’s current development. At that time,
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The name of Huong Ky Photo is more associated to the history of cinema in Vietnam than to Photography.
Located in Hang Trong Street (Rue des tambours), Hanoi, the studio photo was established in 1905 by Mr. Nguyen Lan Huong (1887 – 1949).
This street is famous for the production of a specific woodcut paintings. The craftsman only prints the black outlines of the image, then will finish the details by hand.
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Text from the article
THE VISIT OF THE EMPEROR OF ANNAM TO TONKIN
We mentioned, in our last issue, the visit that the Emperor of Annam Bao Daï made to Tonkin during the first half of December. We have since received some new photographs which illustrate with a picturesque commentary this study trip of the young sovereign, the impact of which was considerable in all the cities and regions he traveled.
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Khanh Ky’s real name is Nguyen Dinh Khanh (1874-1946), opened a photography studio in 1892 on Hang Da street. The business being successful he opened many studios in Hanoi, Haiphong, Saigon (1907, 1924) even in China at Guangzhou (1924).Unlike other photographers, he attached particular importance to train his operators who mainly came from Lai Xa village, in Ha Dong province who is considered as considered the cradle of Vietnamese photography.
In 1910, Khanh Ky went to France to study photography.
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The texte has been written by Blanche CARDONER (Ecole du Louvre)
in her study – Contemporary photography Vietnamese and memory, Selection of works by contemporary Vietnamese artists or the diaspora working on their History
Manifestations and reminiscences of History: Quang Lam, R Like (2012 – 2015)
Quang Lam, on the contrary, is interested in a space highly representative of Vietnamese history in R Like… (2012 – 2015). The series may also be titled Reunification’s Reminiscence.
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This album is a rare archive containing snapshots and instant photos made by M. Barbet on his trip from Marseille (France) to Hanoi (Vietnam formerly Indochina ) in the early 20th century on the steamliner of the company Messageries Maritimes .
Usually at that time, photography practice was made by professional photographers because the process involved heavy and voluminous gears to be setup. The low sensitivity of the film also needed a long exposure time.
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