This scene is part of the work on the series “Escape” talking about migration.
The character is looking a smoke in the distance, a violent past but also souvenirs of his native home he wants to retrieve .
Synopsis: He was an emigre, or a refugee. The terms are as they are, they can not totally define a long history of deprivations, wars, deaths.
[…]
Study on light as a physical form or constraint form in urbanscape.
[…]
[…]
This series highlights Confucian influences in the Vietnamese youth.
Portraits were taken at the cultural festival in the city of Hue, former imperial capital where scenes of mimes reconstituted the life in the Forbidden City. Models are wearing traditionnal ao dai dress.
Fans’ images are Chinese historical fan from the MET Archive.
The series uses the framing of drawings and paintings which is the common manner to see images on a wall or in a book.
[…]
Photography is about questioning of what reality is and what is captured by the camera.
It is nowadays stimulated by the concept of « hyper-reality » defined by J. Beaudrillard.
It is the inability of consciousness to distinguish reality from a simulation of reality.
This is particularly relevant nowadays where people accept created environments as primarily models, when they are actually all fake.
Video mapping can express the dissolution of the reality into a form that have any reference to the initial architecture.
[…]
Photography is about questioning of what reality is and what is captured by the camera.
It is nowadays stimulated by the concept of « hyper-reality » defined by J. Beaudrillard.
It is the inability of consciousness to distinguish reality from a simulation of reality.
This is particularly relevant nowadays where people accept created environments as primarily models, when they are actually all fake.
Territories fade into entertainment parks, symbols of hyperreal powers.
[…]
The psychological consequence of motion through the hyper-real world is, expressed by the 360° serial photography of Honda models sold in Vietnam’s market.
This scene is part of the work on the series “Escape” talking about migration.
The Man is in a hotel, a temporary transit place in a stand-by situation. But he has been waiting for so long. Can this phone call bring him the hope for a liberation?
[…]
This scene is part of the work on the series “Escape” talking about migration.
The theme of the psychological maze is explored through patterns of doors (Thy Nguyen Truong Minh Installation), corridors, rooms, and stairs in old buildings of Saigon.
[…]
This series is telling the temptation of Siddhārtha Buddha by the Goddess of Beauty, in an imaginary paradise full of flowers. As principle of Buddhism, the Middle Way should be followed between the extremes of sensual indulgence and self-mortification. But it is not easy to comply strictly with this recommendation.
Seeing photography is more an analogic process than a logic one, with a sense of humor too. This is how the series should be appreciated as a fairy tale.
[…]