Cette série de photos jamais publiée provient de l’album « Hommage respectueux de la maison Huong Ky Photo à M. Le Ministre de l’Éducation nationale en mémoire du voyage de S.M. BAO DAI en Tonkin ».
La Galerie Inlen Photo est heureuse d’être la première à les montrer publiquement en collaboration avec la galerie française Vincent Joly dédiée aux arts d’Indochine à l’occasion du centenaire de la fondation de l’École des Beaux-Arts d’Indochine (1924-2024) aujourd’hui Université des Beaux-Arts de Hanoi.
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Gardens hold a significant place in various mythologies around the world, often symbolizing paradise, creation, and the divine. More then now then ever gardens provide a direct connection to nature, offering a peaceful escape from the hustle and bustle of daily life.
In Japanese mythology and Zen Buddhism, gardens are seen as places of meditation and reflection. They often symbolize the natural world in its most essential and abstract form. Early gardens were influenced by Chinese garden philosophy,
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“I’m contemplating the mountains crossed by the stripes in geometric pattern similar to the locals clothing fabrics. These people have found refuge here, among the heights that scare both Hans and Kinh people from the lowlands. To grow rice, they patiently engraved the land into embroideries of laces that are stretched as far my eyes can see. These strata are marks of time like the concentric circles of a tree.
After this stop, my guide Nam and I get back on our bike to reach Dong Van before nightfall.
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This series intricately depicts selected nodes of the different threads woven throughout the last century of Vietnamese history, employing narrative elements reminiscent of a compelling tale.
According to ancient Vietnamese mythology, the people of Vietnam are believed to be descendants of a dragon and an Immortal. The prominent myth of the origins of the Vietnamese people involves Lạc Long Quân, a dragon lord, and Âu Cơ, a fairy, who had 100 children from 100 eggs.
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Photographer Quang Lam delves into the profound context behind his latest series.
“It all began with my exploration of my family’s ancestral tombs in Bac Lieu. According to family records, our ancestral vault is situated in the tranquil village of Hoa Binh, in the sub-prefecture of Vinh Loi, Bac Lieu province. My father was born in this village, which is home to around 2,000 residents and lies just 5 kilometers from the coast.
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This series discusses the interplay between documentary and fiction in storytelling, drawing on quotes from Jean Luc Godard, a key figure in the French New Wave :
“All great fiction films tend toward documentary, just as all great documentaries tend toward fiction . . . One who opts for one necessarily finds the other at the end of his journey.” “A story should have a beginning, a middle, and an end… but not necessarily in that order.”
It highlights that effective narratives often combine elements of both genres,
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“The bridge was built in 1899–1902 by the architects Daydé & Pillé of Paris, and opened in 1903. Before North Vietnam’s independence in 1954, it was called Paul-Doumer Bridge, named after Paul Doumer – the governor-general of French Indochina and then French president. At 2.4 kilometres in length,it was, at that time, one of the longest bridges in Asia.
Some parts of the original structure remain intact, while large sections have been built later to repair the holes.
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Before the bridges were built to span the various arms of the Mekong river, traveling through the Delta meant to wait for the ferries. The most famous one was replaced by the Cần Thơ Bridge, constructed over an arm of the Mekong, the Bassac (or Hau Giang), near the city of Cần Thơ.
“It’s the crossing of a ferry on the Mekong. The elegant man has stepped out of the limousine. He smokes an English cigarette.
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By Prof. Steve Bisson, Paris College of Art
Chief editor Urbanautica Institute
THE WEIGHT OF REMEMBRANCE AND TIME SCLEROSIS
“Strips of land emerging from the sea of amnesia, that\’s memory. Sooner or later, they will sink. So, sailing in time to explore their internal geography may be fruitful.”
“[…]Quang Lam’s work offers an excellent visual viaduct to its understanding by depicting the iconic history of the so-called Independence Palace of Vietnam.
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“This show will explore the dynamic interaction between XEM’s artworks, innovative installation concepts, and viewer engagement, creating a lively and evolving environment. Be part of it to experience the energy and creativity that XEM brings to the forefront of contemporary photography, as they continue to redefine the medium’s role in both archival truth and fictional creation.” Text by Vin Gallery
Visual artist Quang Lam explores the relationship between maps and territory. It is encapsulated in the famous expression “the map is not the territory,” coined by Polish-American philosopher Alfred Korzybski.
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