This series discusses the interplay between documentary and fiction in storytelling, drawing on quotes from Jean Luc Godard, a key figure in the French New Wave :
“All great fiction films tend toward documentary, just as all great documentaries tend toward fiction . . . One who opts for one necessarily finds the other at the end of his journey.” “A story should have a beginning, a middle, and an end… but not necessarily in that order.”
It highlights that effective narratives often combine elements of both genres,
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The inspiration for this series is drawn from “The Tale of Từ Thức Marrying a Goddess,” a story that delves into the life of Từ Thức during the Trần dynasty. He encounters and weds a goddess in the divine realm, only to later depart from his celestial spouse to revisit his hometown. Unbeknownst to him, countless ages have transpired in the mortal world during his absence.
Set in Hue, amidst the tranquil lagoon of Tam Gian,
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The Independence Palace, completed in 1966 by the architect Ngô Viết Thụ, winner of the Prix de Rome, was never inhabited by President Ngo Dinh Diem who requested its construction but by the next President who made him assassinated. It has become a museum since April 30, 1975 when tanks have crashed through its gates.
Renamed as Reunification Palace, It is now the gathering place for all the city’s major festivities and commemorations.
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This series is inspired from the poem “Laments From the Royal Harem” written in the 18th century, by Nguyễn Gia Thiều.
The poet tells the destiny a woman of the royal harem which
was similar to his own. First a favorite of the king, she had been abandoned,
falling into an oblivion made of misery and bitterness.
As a metaphor but also a goddess, the moon is used to describe the inner sentiment of a fragile beauty.
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There are many reasons to want to escape.
This full series develops in the form of fictional narratives, a punctual situation where the protagonist will escape for a new life due to historical circumstances, political, economic or purely personal.
The photos incorporate a narration, signs, clues that make it possible to feel the vital necessity of this decision. Its urgency is reinforced by the title of each scene.
In the scene of “Pattern of thoughts”
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This scene is part of the work on the series “Escape” talking about migration.
The character is looking a smoke in the distance, a violent past but also souvenirs of his native home he wants to retrieve .
Synopsis: He was an emigre, or a refugee. The terms are as they are, they can not totally define a long history of deprivations, wars, deaths.
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This scene is part of the work on the series “Escape” talking about migration.
The Man is in a hotel, a temporary transit place in a stand-by situation. But he has been waiting for so long. Can this phone call bring him the hope for a liberation?
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This scene is part of the work on the series “Escape” talking about migration.
The theme of the psychological maze is explored through patterns of doors (Thy Nguyen Truong Minh Installation), corridors, rooms, and stairs in old buildings of Saigon.
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