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“Movement and tranquility alternate and become the root of each other,
Separating into yin and yang and so establishing the two modes….
The interaction of the two forms of qi transform and generate the myriad things.
The myriad things sprout out up again and again and change without end”
-Zhou Dunyin (1017–1073)
He was a Chinese philosopher during the Song Dynasty.
He conceptualized the cosmology, explaining the relationship
Between human conduct and universal forces
This series is exploring Asian calligraphy using in-situ installation.
Calligraphy can be defined as “Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients” – Stanley-Baker, Joan.
The series is taken in an abandoned building opened to the wind and the rain.
A large size of white paper has been washed through days by the rain to recover the dusty ground as a snow coat.
The black floating fabric blown by the wind traced the invisible energy coming into the space delimited by the wooden blocks as minimal sculptures
For the design of the series, circle and square patterns enhance the relationship between Nature and Humans by using these geometric symbols of Heaven and Earth in the Asian cosmology.
